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Photo Credit: Lola Álvarez Bravo, 1951</image:title><image:caption>Apolonio Castillo. Photo Credit: Lola Álvarez Bravo, 1951</image:caption></image:image><lastmod>2026-08-28T05:10:52+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://pavelandrade.com/2025/12/08/hacia-la-novela-como-critica/</loc><image:image><image:loc>https://pavelandrade.com/wp-content/uploads/2025/12/fredric-jameson.jpg</image:loc><image:title>Fredric Jameson in a 1988 Duke classroom.</image:title><image:caption>Fredric Jameson in a 1988 Duke classroom.</image:caption></image:image><lastmod>2026-08-28T05:10:40+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://pavelandrade.com/2026/05/16/dossier-border-abolition-in-latin-american-literature/</loc><lastmod>2026-08-28T05:10:21+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://pavelandrade.com/2026/05/16/formal-intervals-spatial-openings-daniel-sada-and-the-politics-of-style/</loc><lastmod>2026-08-28T05:09:33+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://pavelandrade.com/2026/07/02/on-a-road-to-nowhere-circularity-and-repetition-in-jose-agustins-se-esta-haciendo-tarde-final-en-laguna/</loc><image:image><image:loc>https://pavelandrade.com/wp-content/uploads/2026/07/pie-de-la-cuesta-1.jpg</image:loc><image:title>Pie de la cuesta</image:title></image:image><lastmod>2026-08-28T05:08:58+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://pavelandrade.com/2026/07/01/en-compania-de-virgilio-jose-agustin-sobrevive-a-una-temporada-en-el-infierno/</loc><image:image><image:loc>https://pavelandrade.com/wp-content/uploads/2026/07/jose-agustin.jpg</image:loc><image:title>José Agustín</image:title></image:image><lastmod>2026-08-28T05:08:14+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://pavelandrade.com/teaching/</loc><image:image><image:loc>https://pavelandrade.com/wp-content/uploads/2026/05/rojo-vicente.-negacion-s6-1974.jpg</image:loc><image:title>Vicente Rojo, Negación S6 (1974)</image:title><image:caption>Vicente Rojo, Negación S6 (1974)</image:caption></image:image><image:image><image:loc>https://pavelandrade.com/wp-content/uploads/2026/05/memories-of-underdevelopment.jpeg</image:loc><image:title>Tomás Gutiérrez Alea, Memorias del subdesarrollo (1968)</image:title><image:caption>Tomás Gutiérrez Alea, Memorias del subdesarrollo (1968)</image:caption></image:image><image:image><image:loc>https://pavelandrade.com/wp-content/uploads/2026/05/caballero-antonio.-las-hermanas-jimenez-1965.jpg</image:loc><image:title>Antonio Caballero, Las hermanas Jiménez (1965)</image:title><image:caption>Antonio Caballero, Las hermanas Jiménez (1965)</image:caption></image:image><image:image><image:loc>https://pavelandrade.com/wp-content/uploads/2026/05/clark-lygia.-cocoon-no.-2-1959.jpg</image:loc><image:title>Clark, Lygia. Cocoon no. 2 (1959)</image:title></image:image><image:image><image:loc>https://pavelandrade.com/wp-content/uploads/2026/05/barragan-luis.-barragan-house-mexico-city-1948.-cantilevered-staris-connecting-the-library-and-the-mezzanine.-photo-armando-salas-portugal.jpg</image:loc><image:title>Luis Barragán, Barragán House, Mexico City, 1948. Cantilevered staris connecting the library and the mezzanine. Photo Credit: Armando Salas Portugal.</image:title><image:caption>Luis Barragán, Barragán House, Mexico City, 1948. Cantilevered staris connecting the library and the mezzanine. Photo Credit: Armando Salas Portugal.</image:caption></image:image><image:image><image:loc>https://pavelandrade.com/wp-content/uploads/2026/05/moya-rodrigo.-estacion-de-buenavista-1963.jpg</image:loc><image:title>Rodrigo Moya, Estación de Buenavista (1963)</image:title><image:caption>Rodrigo Moya, Estación de Buenavista (1963)</image:caption></image:image><image:image><image:loc>https://pavelandrade.com/wp-content/uploads/2026/05/do-amaral-tarsila.-cartao-postal-1929.jpg</image:loc><image:title>Tarsila do Amaral, Cartao postal (1929)</image:title><image:caption>Tarsila do Amaral, Cartao postal (1929)</image:caption></image:image><image:image><image:loc>https://pavelandrade.com/wp-content/uploads/2026/05/naranjo-rogelio.-c2a1libertad-a-los-presos-politicos-1968.jpg</image:loc><image:title>Rogelio Naranjo, ¡Libertad a los presos políticos!, 1968.</image:title><image:caption>Rogelio Naranjo, ¡Libertad a los presos políticos!, 1968.</image:caption></image:image><image:image><image:loc>https://pavelandrade.com/wp-content/uploads/2026/05/barragan-luis.-torres-de-satelite-1957.-view-of-the-towers-with-the-palette-of-orane-and-yellw-hues-as-applied-in-1967.-photo-armando-salas-portugal.jpg</image:loc><image:title>Luis Barragán, Torres de Satélite (1957). 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Lou, The Border Door. Free standing wooden door painted gold and blue wooden frame, 134 detachable keys facing south. ¼ mile east of the Tijuana International Airport directly on the Mexico/USA border. Photo Credit: James Elliott. May 28, 1988.</image:title><image:caption>Richard A. Lou, The Border Door. Free standing wooden door painted gold and blue wooden frame, 134 detachable keys facing south. ¼ mile east of the Tijuana International Airport directly on the Mexico/USA border. Photo Credit: James Elliott. 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